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Evil clown : ウィキペディア英語版
Evil clown

Although clowns are originally comic performers and characterized to humor and entertain people, the image of the evil clown is a development in popular culture in which the playful trope of the clown is rendered as disturbing through the use of horror elements and dark humor.
==Origins==

The modern archetype of the evil clown has unclear origins; the stock character appeared infrequently during the 19th century, in such works as Edgar Allan Poe's Hop-Frog,〔Poe, Edgar Allan, ''"Hop-Frog"'' (1849)〕 which is believed by Jack Morgan, of the University of Missouri-Rolla, to draw upon an earlier incident "at a masquerade ball", in the 14th century, during which "the king and his frivolous party, costumed—in highly flammable materials—as simian creatures, were ignited by a flambeau and incinerated, the King narrowly escaping in the actual case." Evil clowns also occupied a small niche in drama, appearing in the 1874 work ''La femme de Tabarin'' by Catulle Mendès and in Ruggero Leoncavallo's ''Pagliacci'' (accused of being a plagiarism of Mendès' piece), both works featuring murderous clowns as central characters.
The modern stock character of the evil clown was popularized by Stephen King's novel ''It'', published in 1986, which became the first to introduce the fear of an evil clown to a modern audience. Another one of the first appearances of the concept is that of John Wayne Gacy, an American serial killer and rapist arrested in 1978, who became known as the ''Killer Clown'' after it was discovered he had performed as Pogo the Clown at children's parties and other events; however, Gacy did not actually commit his crimes while wearing his clown costume.
The evil clown archetype plays strongly off the sense of dislike caused by inherent elements of coulrophobia; however, it has been suggested by Joseph Durwin〔
〕 that the concept of evil clowns has an independent position in popular culture, arguing that "the concept of evil clowns and the widespread hostility it induces is a cultural phenomenon which transcends just the phobia alone". A study by the University of Sheffield concluded "that clowns are universally disliked by children. Some found them quite frightening and unknowable." This may be because of the nature of clowns' makeup hiding their faces, making them potential threats in disguise; as a psychology professor at California State University, Northridge stated, young children are "very reactive to a familiar body type with an unfamiliar face". This natural dislike of clowns makes them effective in a literary or fictional context, as the antagonistic threat perceived in clowns is desirable in a villainous character.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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